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Avicii — watch collection


Avicii watch collection

Avicii

musician

VIP n° 1126 for number of watches
Musician n° 18 for number of watches
Number of brands: 1
Number of watches: 1
Preferred brand: Audemars Piguet (1 watches)
Estimated collection value: 35,000 $

About Avicii’s watch collection

Tim Bergling, known professionally as Avicii, was a Swedish DJ, record producer, and songwriter who became one of the defining figures of the electronic dance music boom of the 2010s. Born in Stockholm in 1989, he rose to global prominence with tracks like "Levels," "Wake Me Up," and "Hey Brother," accumulating Grammy nominations, sold-out arena tours, and a catalog that crossed genre boundaries between EDM, folk, and country. He retired from touring in 2016 citing serious health concerns and continued producing music until his death in April 2018 at the age of 28. His influence on a generation of electronic music producers remains substantial.

The Avicii watch collection, while not extensively documented by paparazzi in the way that some athletes or actors have been, points clearly toward a preference for serious Swiss watchmaking over flashy, logo-heavy pieces. The confirmed sighting in our database shows him wearing an Audemars Piguet Royal Oak Chronograph reference 26320OR.OO.1220OR.01 — a full 18kt rose gold version of one of AP's most mechanically and aesthetically coherent models. That choice is telling. The Royal Oak line, designed by Gerald Genta and introduced in 1972, carries real horological weight, and the chronograph variant adds a column-wheel movement to an already architecturally distinctive case.

The specific reference Avicii was photographed wearing — the 41mm all-rose-gold Royal Oak Chronograph — is not an entry-level or particularly understated piece, but it reads as a considered choice rather than a reflexive luxury purchase. For a musician who frequently appeared in casual streetwear rather than red-carpet formalwear, wearing a watch of this caliber suggests genuine interest in the object itself. It fits a pattern seen among producers and behind-the-scenes music figures who tend to research what they buy rather than simply reach for the most visible brand name available.

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