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Ralph Waldo Ellison — watch collection


Ralph Waldo Ellison watch collection

Ralph Waldo Ellison

writer

VIP n° 1143 for number of watches
Writer n° 3 for number of watches
Number of brands: 1
Number of watches: 1
Preferred brand: Omega (1 watches)
Estimated collection value: 667,800 $

About Ralph Waldo Ellison’s watch collection

Ralph Waldo Ellison (1913–1994) stands as one of the most consequential American writers of the twentieth century. His 1952 novel Invisible Man, which won the National Book Award the following year, reshaped how American literature reckoned with race, identity, and the psychological weight of social invisibility. Ellison spent decades working on a second novel that was never published in complete form during his lifetime — a manuscript that ran to thousands of pages and was partially destroyed in a house fire in 1967. Beyond fiction, he was a respected essayist, cultural critic, and educator who taught at institutions including Bard College and New York University. His influence on writers and intellectuals across generations remains substantial.

The Ralph Waldo Ellison watch collection, as far as photographic and documentary evidence shows, consists of a single watch worn with notable consistency: an Omega Speedmaster Moonwatch reference 145.012. The ref. 145.012 entered production in 1968 and carries the calibre 861 movement, a variant that succeeded the famous calibre 321 in the Speedmaster lineage. It is a serious piece of horological history in its own right — closely associated with NASA's continued Apollo program use during the era Ellison owned his example. Photographs show Ellison wearing it with the unpretentious regularity of a man who had simply chosen his watch and moved on.

What makes Ellison's Speedmaster particularly notable is a specific detail documented in period photographs: one of the two chronograph pushers had detached from the case, leaving the watch visibly incomplete. He wore it anyway, apparently without concern for the damage. For a collector or historian, that detail is significant — it confirms this was a working object in a working life, not a curated accessory. A damaged Speedmaster worn daily by the author of Invisible Man carries a documentary weight that no pristine example in a display case could match. It is, straightforwardly, an artifact.

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