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Yoon Ahn — watch collection


Yoon Ahn watch collection

Yoon Ahn

designer

VIP n° 1121 for number of watches
Designer n° 10 for number of watches
Number of brands: 1
Number of watches: 1
Preferred brand: Cartier (1 watches)
Estimated collection value: 82,500 $

About Yoon Ahn’s watch collection

Yoon Ahn is a Seoul-born, Tokyo-based designer who has built one of the most distinctive voices in contemporary fashion and jewelry. She is the founder of Ambush, the cult Tokyo label that blurred the lines between streetwear and high jewelry before that crossover became commonplace, and serves as creative director of accessories for Dior Men — a role that puts her work directly alongside Kris Van Assche's and, later, Kim Jones's design vision. Her collaborations span Nike, Sacai, and Beats by Dre, and her influence across fashion, music, and youth culture has made her one of the more closely watched creative figures working today.

The Yoon Ahn watch collection, at least what has been documented publicly, leans hard into Cartier — specifically the kind of Cartier that sits far outside the brand's mainstream catalog. She was spotted wearing the Crash in 18k white gold, diamond-set, and limited to just 267 individually numbered pieces. The Crash is not a casual Cartier choice. Its asymmetric, warped case — said to originate from a 1967 London car accident that buckled a Baignoire Allongée beyond repair — has made it one of the more culturally loaded references in watchmaking, favored by collectors who understand its backstory and designers drawn to objects that carry a deliberate sense of disruption.

The choice fits. Ahn's entire design sensibility at Ambush has been built around objects that look slightly wrong in the best possible way — oversized, off-axis, referencing something familiar but pushing it until it becomes strange. A limited, diamond-set Crash is not a watch purchased for legibility or prestige signaling in any conventional sense. It is a designer's watch, chosen because of what it represents formally and historically, not despite its oddness but because of it.

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