Singer Will Pan spotted wearing a Audemars Piguet

Will Pan, the Taiwanese singer-rapper and television personality known for blending hip-hop aesthetics with Mandopop, was recently spotted on what appears to be a live entertainment or talent-show stage set, wearing one of Audemars Piguet's most technically serious pieces: the Royal Oak Perpetual Calendar in black ceramic. The sighting underscores Pan's well-documented appreciation for high-complication Swiss watchmaking worn without ceremony.

The watch in question is the Audemars Piguet Royal Oak Perpetual Calendar reference 26579CE.OO.1225CE.01, introduced as part of AP's expanded ceramic Royal Oak family. The 41 mm case and integrated bracelet are crafted entirely from black ceramic — a material demanding exceptional tooling precision given its hardness and brittleness during machining. The slate grey dial carries the iconic Grande Tapisserie hobnail pattern and hosts a full perpetual calendar layout: day, date, month, leap-year indicator, and a moonphase display at 6 o'clock, all powered by calibre 5134, a self-winding movement with an 40-hour power reserve and a perpetual calendar mechanism programmed through 2100.

From a collector standpoint, the black ceramic Royal Oak Perpetual Calendar occupies a singular position. It represents the intersection of AP's two greatest strengths — the Gerald Genta-designed Royal Oak architecture and high-complication movement engineering — wrapped in a contemporary all-black execution that appeals to younger, fashion-forward collectors without alienating traditionalists. The moonphase display, accurate to one day's drift every 122 years, adds a poetic dimension to a watch that is otherwise ruthlessly architectural.

Will Pan's styling choice is deliberate and coherent. A $150,000 perpetual calendar worn with ripped denim and a New Era cap speaks directly to the cultural code he has cultivated across his career — luxury without deference, technical substance beneath a streetwear surface. It mirrors how a generation of Asian celebrities is reshaping the vocabulary of watch collecting.

On the secondary market, black ceramic Royal Oak Perpetual Calendars trade at or above retail due to constrained supply and sustained demand from Asian collectors, with grey-market premiums commonly reaching 10–20% above list. For a complication at this level, in this material, that market behaviour reflects genuine horological respect rather than speculation alone.