Actor Simon Baker spotted wearing a Rolex

In J.C. Chandor's 2011 financial thriller Margin Call, costuming does a great deal of narrative heavy lifting. When Simon Baker's character Jared Cohen appears on screen, his wrist carries a Rolex Submariner Two-Tone in reference 16613 with blue dial and matching blue aluminum bezel insert — a detail that quietly signals seniority, taste, and old money at a firm on the verge of collapse. It is the kind of watch that says everything without saying anything at all.

The Rolex Submariner ref. 16613 was produced from 1988 through 2010, representing the two-tone variant of the transitional Submariner generation that bridged the era of the 16800 and the modern ceramic-bezel 116613. The 40mm Oyster case combines 904L stainless steel with 18k yellow gold applied to the bezel surround, crown guards, winding crown, and the center links of the Oyster bracelet. The blue dial features applied gold hour markers and Mercedes hands with luminous fill. The date window sits at three o'clock beneath a cyclops lens.

At its mechanical core sits the Calibre 3135, an in-house automatic movement that Rolex introduced in 1988 and continues to produce in evolved form today. The 3135 oscillates at 28,800 vph, offers approximately 50 hours of power reserve, and incorporates Rolex's proprietary Parachrom hairspring and Paraflex shock absorbers in later versions. It is, by any measure, a benchmark movement — robust, accurate, and exceptionally well-finished for a production calibre.

Among collectors, the 16613 occupies a comfortable middle ground. The two-tone Submariner was once considered less desirable than its full-steel sibling, but shifting tastes and the discontinuation of yellow gold Rolesor sports references have driven genuine reappraisal. Dials with tritium plots from the early production run carry a premium, while later luminova examples remain more accessible.

On the grey market, the ref. 16613 currently trades at approximately $12,000, a figure that reflects steady demand without the volatility that surrounds newer ceramic references. For a watch used as a character prop in a film about financial catastrophe, that kind of quiet, durable value feels entirely appropriate.