Watch Paparazzi

Entrepreneur Marco Bizzarri spotted wearing Girard Perregaux

Marco Bizzarri, CEO and Chairman of Gucci since 2015 and one of the most influential figures in global luxury fashion, was spotted wearing the titanium Girard-Perregaux Cosmos, reference 99292-21-651-BA6F — an 18-piece limited edition that ranks among the most complex and visually spectacular watches the Swiss manufacture has ever released. The sighting is a reminder that those who shape the luxury industry at the highest level often display equally considered taste in horology.

The Girard-Perregaux Cosmos ref. 99292-21-651-BA6F presents a series of engineering decisions that immediately distinguish it from anything else on the market. Most strikingly, the watch is entirely crown-less: time-setting and winding are managed through the caseback, preserving the sculptural integrity of the titanium case and eliminating the most vulnerable point of a traditional watch's water resistance. The hand-wound movement drives two spherical complications mounted on the dial — a celestial globe that charts the twelve zodiac constellations as they appear across the sky, and a terrestrial globe that completes one full rotation every 24 hours, mirroring Earth's own axial period. A flying tourbillon, positioned to complement rather than compete with the globes visually, anchors the mechanical display.

The Cosmos concept has deep roots at Girard-Perregaux. The original Cosmos dates to the early 1980s, conceived as an ode to astronomical timekeeping and celestial cartography. The contemporary titanium iteration refines that heritage with modern materials and a movement architecture that required years of development. Titanium was chosen not merely for its lightness and hypoallergenic properties but for its ability to carry the dial's considerable mechanical payload without adding uncomfortable wrist weight.

For collectors, an 18-piece production run places the Cosmos firmly in rarefied territory. GP reserves such micro-editions for pieces that demand extraordinary hand-finishing and individual calibration, and the Cosmos qualifies on both counts. Secondary market transactions are rare and typically private, reflecting a buyer profile that overlaps significantly with serious art and manuscript collectors.

Bizzarri's affinity for this piece is coherent with his professional biography. A man who rebuilt one of fashion's most storied houses through a combination of creative risk and commercial discipline is precisely the profile one might expect to reach past obvious status symbols toward something genuinely difficult to make and nearly impossible to find.